Heraklion

The sebil of Kornarou Square, which now houses a municipal coffee shop, was built in 1776 by Hadji Ibrahim Aga who spent his entire fortune on its maintenance. It is a polygonal building with arched windows. Under each window there was a tap and a stone trough.

The Gate of the Sand (Sabionara) is located on the northwest side of the bastion Sabionara. It connected the city with the sandy beach east of the port.

The fountain of Yenitsar Aga is located at the beginning of the Avenue Ikarou, below the epigraphy collection and opposite the Archaeological Museum. It was originally embeded outside a beautiful mansion on the corner of the streets Markou Avgeri and Paleologou, which was demolished in 1980.

The “Liopyrakis Megaron” is undoubtedly the most important sample of the romantic neoclassical style in Heraklion. It is a work of the architect Dimitris Kyriakou. Its construction began at the end of the first decade of the 20th century. It was one of the most luxurious mansions that were constructed in the first two decades in a very central street, the 25th of August Avenue.

The Virgin Mary of the Crusaders (Crosecchieri) on what is now Markou Moussourou St. was part of the Latin rite Capuchin Monastery. The church was surrounded by monastery buildings and guest rooms for pilgrims and visitors on their way to the Holy Land.

The Gate Makasi (meaning "switchman" in Turkish) is a military gate of the Venetian Walls of Heraklion, the gallery of which had a length of 110 meters. The gallery leads to the eastern low square of Martinengo bastion, that housed the canons that protected the bastion Bethlehem.

The Venetian armoury (Armeria or Armarento) is situated between the Loggia and St. Titus Square. Although it served a different purpose than the noble's club, the two buildings formed a single complex.

The fountain is located at Michelidakis street, behind the Historical Museum of Crete. The fountain was not originally here, but adorned the exterior of the house of the doctor Idomeneas Markatatis. We can see two columns with capitals that bear performances with plants and an Ottoman inscription.